Untranslated Manga Report: Mach Go Go Go remake

This wasn’t your father’s Speed Racer.

Known in the US as Speed Racer X, this was a new version of the classic manga and anime series about auto racer Gō Mifune and his amazing race car, the Mach 5. It received wide popularity when brought to the US as Speed Racer and a resurgence when MTV reaired the original dubs. There have been two attempts to create an American spinoff, only one of which went past one season, a series of comics, the most influential being the NOW Comics run, and a recent live-action movie that had mixed reviews.

I had heard about the remake and some of the changes. Go’s new last name is Hibiki for some reason, Spritle’s counterpart is now the brother of Trixie’s counterpart, and Racer X (the only brother Speed keeps is the one thought dead) has a new outfit that’s something Batman or Gatchaman/G-Force would wear. Also no chimpanzee pet for the little boy. While the show didn’t have a comic in the US a two-volume manga for kids was created, and that’s what I ended up ordering. I’m pretty sure I knew this one was in Japanese but curiosity won out.

In deciding whether or not to add this to the manga I want to purge I have to figure out if this is something I can still enjoy despite not reading the language. The only English is Go’s name, the letters on the steering wheel that activates the car’s famous gadgets, and oddly a couple of computer displays when the “Safety Seven”is activated or when the engine overheats in one story. That means the art is really going to have to get the story across, or at least enough of it to enjoy reading. How does it do?

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Comic Organizing Mega Project: Manga Sorting

Time for more with the project that doesn’t end. I have collected a lot of comics and some of that collection comes from Japan. I don’t just mean the translated stuff either. As noted in a previous report before the Mega Project began I ended up with these sometimes out of curiosity and sometimes because the solicit from the catalog failed to mention it was in Japanese. With so much manga being translated I didn’t always know what was and what wasn’t in English. I had considered translating this but the Japanese grammar system is so far removed from Western languages that it’s a lot more work than I care to do. I have other projects that interest me more.

However, as of this writing, the four listed in that report I still don’t know how to sell off. I tried eBay but there were no takers. Still, I decided to organize all my manga, translated or not, and move forward on the attempt with the others. I still need to look over the untranslated stuff and see if I can still follow the story enough to keep any of it. While I have collected some translated manga put into typical Western comic style I still have plenty in Japan’s usual digest form, just in my language. That I’ll go over as I do the rest of my comic collection, but first I need to sort it all alphabetically and by language. That was this week’s project.

Book Review: He-Man & The Masters Of The Universe: The Newspaper Comic Strips

In the 1980s one of the biggest toylines was Masters Of The Universe, a sword-and-sorcery fantasy series with a hint of science fiction with advanced fighting machines and Skeletor’s original origin being a space alien who wanted to open a doorway so his people could conquer Eternia, with himself as ruler. The lore changed over the years with the addition of DC Comics and later the animation studio Filmation, who added a secret identity for the hero, He-Man, and created a lot of what we know about He-Man, his allies, and his enemies. Additionally there were books, some of which came with adapting audio dramas, and of course the minicomics that came with the figures. Most people know about all of these, but did you know there was also a comic strip? I didn’t until a friend of mine bought me this collection for my birthday one year.

The Masters Of The Universe newspaper strips (He-Man added to the name later) was Mattel trying to find a new avenue to promote their toyline. While a pitch strip was created (which included the famed Stan Sakai among them) it was deemed too expensive but a new team would still arrive to bring the comic into existence. Jim Shull wrote the first story, with Chris Weber (edited by his wife, Karen Willson) taking over for the rest of comic’s run. Gerald Forton was the artist and Connie Schurr as colorist were there for the entire run. Despite having an international release the comic has gone largely unknown even within the fandom.

Enter Danielle Gelehrter, who talked Val Staples, head of the fan website He-Man.Org and a fellow collaborator on a Masters Of The Universe art book for Dark Horse Comics, into working on bringing the strips to a full collection. This required the effort of many fans who did know about the comics to find the original strips, translate the ones they could only find in Spanish or Greek (among other languages), create a font based on Forton’s handwriting for consistency, and convert it all to digital. Weber and Willson also helped out with the years they were able to keep on hand, and finally the strips were restored and put into the collection above. I’ve already reviewed the individual stories on my other site but this is a look at the book itself.

Comic Report: Batman Chronicles–The Gauntlet

I got back the laptop I use for the art corner but I haven’t had time to work on my comic or do some other stuff I wanted to set up on the old thing. That was my project this week, but probably not very interesting to you guys. So here’s another recent “Scanning My Collection” article from the other site so you have something worth reading. And in light of the recent Titans streaming series on DC’s new streaming service even more appropriate now than when I first posted it. Enjoy.

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The art of the sidekick is dead or dying. Merriam-Webster defines the sidekick as “a person closely associated with another as a subordinate or partner“. Often mistaken for just being comic relief the sidekick is learning from the hero or is there to provide back-up for the hero. In the world of superheroes, sidekicks are…or were…receiving training from the hero but not yet good enough to go completely on their own. From Robin the Boy Wonder to Kid Flash to Bucky Barnes, the sidekicks can graduate to take over a mantle or become their own hero, but they start out aiding their mentors.

Nowadays that doesn’t happen. The Robin of today is already highly trained by assassins and an equal to Batman despite his young age. If he’s learning anything, Damien has to respect others, including and especially his teammates. But as Tim Drake noted, Robin also served another purpose. He keeps Batman from going too far over the edge, from falling into the proverbial abyss. Meanwhile, Batman chose the first Robin before the memory of his parents’ murder ruined Dick Grayson the way it did Bruce Wayne. We all know how Batman trained Dick Grayson to become the first Robin, but do you know the story of his final exam?

Batman Chronicles: The Gauntlet isn’t some huge, Earth-shatteringly epic story. It’s a one-shot story in a short graphic novel. It’s the story of Robin’s “final exam”, the last step in proving he’s ready to become Batman’s partner. It’s one of my favorite Robin stories. So why does it stand out for me?

“Shadow puppets? Really, Bruce?”

Batman Chronicles: The Gauntlet

DC Comics (1997)

WRITERS/ARTIST: Bruce Canwell & Lee Weeks

COLORS/SEPARATIONS: Matt Hollingsworth

LETTERER: Albert DeGuzman

EDITOR: Darren J. Vincenzo

Quick Project: Comic Shifting

This wasn’t the project I planned to do this week. I wanted to take my steno book and make a listing of the PC software I have and list what goes to which computer (my desk and laptop) and further divide them by games, productivity, creativity, and standard drivers and stuff. But I’ve lost the steno book. I don’t even think I can blame this one on the clutter. I put it somewhere and now I don’t know where. Luckily this isn’t an important project right now. I’m just upset I lost my steno book. Remember, it has all my video game scores and other listings on there. So until I figure out where I put it that project’s on hold.

So I did the project this week I was saving for next week. As I continue to go through my comic collection I’ve pulled out a bunch of comics from my collection, leaving a big gap in at least one longbox. So this week I moved some comics around, putting a few more in the box and condensing the collection. So at least I did something this week, and considering how hot it is in Connecticut (and thus hotter in this attic) I’m lucky I was able to do that.

By the way, for my fellow Americans, have a happy Independence Day!

Free Comic Book Day

photo of Mark Marderosian at Free Comic Book Day, That’s Entertainment, Worcester MA (Photo credit: Wikipedia)

I didn’t do any clutter cleaning this week because Saturday was Free Comic Book Day. You can read about what I picked up over at my other website. I was going to do an article introducing my next project, but after starting that article later than I had planned I didn’t have time and I didn’t get to do anything during the week due to other things going on. It won’t be as big as one of the comic organizing project phases, but it will be at least two days of trying to figure out where to put stuff. So instead of a preview hopefully you’ll simply see the results. I just need to actually work on it next week because I have the whole week to do it.

Mini-Comic Report: Transformers Armada vol. 4

I know I was going to review my last Alternator this week but I haven’t had a chance to go over it. Next week is going to be hectic but I’m going to try and get it done then. In the meantime I’m crossposting the next Armada minicomic from my other website that hasn’t been posted here yet.

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Previously we’ve looked at the first three Transformers Armada minicomics Dreamwave produced for Hasbro, but there’s one more to go. So it’s time to finish this series. Dreamwave also produced minicomics for Energon so we aren’t done yet but we’ll put this series to bed.

At this point the toyline introduced the subline “The Unicron Battles”. This featured the first ever Unicron toy, long desired by those who grew up with the original toyline and Transformers: The Movie. While the toy had been planned twice in the past, once when the movie came out and once by Takara for the Japanese-exclusive line Beast Wars Neo, neither were ever produced. Finally for this line we got our Unicron and it was worth the wait seeing as the other two designs didn’t really capture the essence of the big villain Simon Furman re-imagined into a god of chaos nearly as well. (When it comes to Unicron I’m actually neutral as to which origin is better, cartoon or comic, but I still prefer the Quintesson origin over Primus.)

It was decided to make Unicron the big threat of the subline and tie the version of him in this continuity to the Mini-Cons, and so the “Unicron Battles” began. And this was the comic that introduced the idea to toy buyers who didn’t see the show or read the regular Dreamwave comics. So how does it do? The first two comics were not that great since they had to force three translations of the same dialog into the panel. The third issue was better for only needing one language but still not that great, so what does this series end on?

“Hey Galactus, the rest of us want to see, too. Wanna move to the back seats?”

Transformers Armada volume 4

CREATED BY: Dreamwave for Hasbro

PUBLISH DATE:  2003

WRITER: Chris Sarracini

PENCILER: James Riaz

COLORISTS: Felipe Smith & David Cheung

Only TWO colorists, Dreamwave? Are you finally realizing you don’t need five colorists on one book, especially a minicomic? Since none of the Energon minicomics have credits we’ll never know.

LETTERING: Dreamer Design

ASSISTANT EDITOR: Matt Moylan

Comic Report: Superman/Doomsday: Hunter/Prey

I just finished reviewing another trade collection on my other site but only the individual issues. Here I’ll be looking at the final collection, so we’ll take a week off from Transformers. I’ll resume the Alternators reviews next week with Side Swipe.

 

The Death and Return of Superman video game (Photo credit: Wikipedia)

Doomsday is name that…well, should be familiar to everyone who speaks English because “doomsday” is a rather well-known word. But for Superman fans Doomsday also refers to the giant monster that killed him in one of the most famous story arc in comics. “The Death And Return Of Superman” is a multi-arc storyline dealing with Superman sacrificing himself to stop the only threat besides Darkseid who is Superman’s physical equal. All of his other enemies have to outwit Superman only to learn he’s more cunning than they thought. The storyline deals with his death, how the world is changed by his disappearance, and his ultimate return because no way is DC giving up what was their flagship character at the time, although it seems Batman has recently usurped that role. Which as much as I like Batman says more about the world at large than Superman himself. He’s still my favorite superhero.

The original storyline was huge, but it lacked any kind of actual origin for Doomsday. He just shows up one day and kills Superman. 1994’s Superman/Doomsday: Hunter/Prey is a three-issue miniseries that brings us that origin. Where did Doomsday come from? Why did he want to kill Superman? Those answers were finally revealed, and then collected in a trade collection the next year. I’ve already reviewed the three issues, and will link to those reviews if you want a deeper analysis, as well as the actual issue where Superman and Doomsday fought to the death, which isn’t in this collection but I thought you might be curious. While I will go over my thoughts on the miniseries this is The Clutter Reports, so my focus will be on the collection more than the story itself.

You might want to look behind you, Doomy!

Superman/Doomsday: Hunter/Prey

collecting issues one-three of the 1994 miniseries

DC Comics (1995)

WRITER/LAYOUTS: Dan Jurgens

FINISHED ART: Brett Breeding

COLOR GUIDES: Greg Wright

COLOR SEPARATIONS: Android Images

LETTERER: Bill Oakley

“SUPERMAN” CREATORS: Jerry Siegel & Joe Shuster

Comic Re-Integration Finale + Bonus Projects

There’s nothing more satisfying than a completed project, especially a big one that needed four weeks to complete. But complete it is. I wanted to sort my comics so they flow in a better order to properly go through them all, and I succeeded. I ended up finishing before the week was out so I took on some smaller project that I could only do once the comic re-integration project was complete. Let me take you on a short journey through my week and all I accomplished.

Comic Re-Integration Project: Week 3

This is going to be a short report. This week I was more interested in finally finishing my Christmas comic…which as you can guess from the posting date is already a few weeks left. If I can get it done for tonight I’ll be very happy. Not that I didn’t do anything. I did organize my letter “T” titles, which included two big ones: Teenage Mutant Ninja Turtles (with at least four different continuities to sort separately) and some Transformers comics I came across, some of which I already pulled out since I know I don’t want them. Not that they’re bad (though some of them are) but IDW took the franchise in a direction I don’t care for, which is the opposite of what they did with the Turtles comics. And there’s still the border marking, mixed with my removable tape running out. I have to use regular tape and hope the bag doesn’t rip the next time I go to read the comics down this way. Removable tape is hard to find, if they still make it.

The plan is to finish off this phase of the project this week and move on to another project while I continue to slowly go through the collection, finding the comics I still enjoy and want to read again versus the ones I don’t care for and willing to go away, thus cutting down my oversized collection. We’re almost done with this one.